Gaultier shared a photo of the two of them at Paris Fashion Week in 2018, writing: “Couturier, designer, ambassador of France, academician, patron, throughout his whole life, Pierre Cardin has done wonderful work. His death led many in the fashion industry to pay tribute to the late designer and celebrate his revolutionary impact. “the Cardin brand has come to encompass not simply fashion but an entire lifestyle” I find it normal to pay homage to a designer who has opened so many doors for all of us.” He inspired designers from Jacquemus to Jean Paul Gaultier, who worked as his assistant in the ’70s and who last year said of Cardin: “Pierre Cardin is a marvel. Eva Perón was allegedly one of the first to don his bubble dress, while he’ll also be long remembered for popularising the men’s suit with a collarless jacket, first worn by The Beatles in 1963. Add to Favorites 1980 Pierre Cardin vintage peach pink mini dress size medium to large (34) 177.77.
Pierre cardin 60s space age mod#
Though A-listers were supposedly not his target market – “My aim was the street, that my name and my creations be on the street.Celebrities, princesses were not my cup of tea,” he once claimed – Cardin still managed to dress the likes of Elizabeth Taylor, Brigitte Bardot and Jackie Kennedy, and more recently found fans in stars like Naomi Campbell and Lady Gaga. Vintage 60s Pierre Cardin Suit Jacket Mod Space Age Size M Daisy Buttons Saffron Yellow Wool Gabardine (398) 350.14. At present, the Cardin brand has come to encompass not simply fashion but an entire lifestyle, offering furniture, perfumes, and cosmetics, as well as his signature promise of all-embracing innovation. Not only is Cardin credited with introducing of some of the staple pieces of the 20th century, such as the bubble dress and the mini and maxi skirt, but also with normalising the now commonplace practices of ready-to-wear lines and branded garments.īy the 1970s, Cardin was a household name, setting the “mod chic” trend through an eclectic combination of shapes and forms – even designing spacesuits for NASA and the national costume of the Philippines. The impact of the Pierre Cardin label has been immeasurable. “Cardin co-designed the 1960s his space-age inspiration, clean shapes and lines will forever be synonymous with the decade”
After several years of designing women’s suits, Cardin moved to fashion capital Paris in 1945, bringing him opportunities at Paquin and Dior, until the founding of his own fashion house in 1950, at age 28. It was here that he developed an interest in dressmaking, getting his first job in the industry (as a clothier’s apprentice) at only 14. His imagination meant he was always ahead of the curve, and now looking back we can see that he was a guiding force of fashion, even until the very end of his seven decade long career.īorn in northern Italy on July 2nd 1922 to wealthy landowners, Cardin and his family moved to France when he was just two. As much as his designs may now be firmly attached to the ’60s, Cardin only looked forward. However, at no point did he rest on his success. He achieved the greatest feat, for his designs to outgrow their designer and epitomise their time. Cardin co-designed the 1960s his space-age inspiration, clean shapes and lines will forever be synonymous with the decade. What he leaves behind is a lifetime of international influence on the fashion industry.
This season Dossena referenced a metal-link jumpsuit Hardy wore in 1968, the same year that Brigitte Bardot sported Rabanne in the music video for her song “Contact” (written by Serge Gainsbourg) and Jane Fonda modeled the designer’s futuristic costumes in Barbarella.Pierre Cardin has died at the age of 98, and with him goes the wealth of creativity and innovation which he showcased throughout his life and career. The collector Peggy Guggenheim was one of his first customers, and the yé-yé star Françoise Hardy became a fan. (He’d later sell DIY kits consisting of discs, rings, and pliers.) Rabanne’s designs existed in the space between art and fashion, and they were irresistible.
Arguing that “sewing is a bondage,” he made dresses not of fabric, but of earth-friendly paper and other non-fashion materials like plastic and metal, which were pieced together with wire and glue. Two years later, in 1966, he had his breakout show: “Twelve Unwearable Dresses in Contemporary Materials.” Presenting at the George V, Rabanne broke utterly with convention, using music (which wasn’t done at the time) and including models of color in his casting. When he was 30, Rabanne presented his first fashion designs.
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